Skip to main content

Guest Post: MY SOOPER DOOPER NEW CONSERVATORY/ART STUDIO!

Jo's new Art Studio/Conservatory.

Today's guest post is by Artist, Writer, and Mental Health Advocate, Jo B Creative who writes for her blog, Creating My Oddessey.

You should see our (almost) brand new conservatory, half of which is my art studio. 'Lucky me!' I think to myself. Not every creative bod can boast that. It's HUGE! Like a giant greenhouse.

We first moved to our pleasant cul-de-sac house - great for raising kids - when our son, who's on the cusp of thirty-one, was four. One of the main reasons that we wanted it was that, apart from its location on the fringes of a historic market town in rural Hampshire, UK, it had a sizable conservatory looking onto the back garden. It was brown wood framed and had a corrugated transparent roof sloping down from downstairs ceiling height. On the face of it, it doesn't sound that glamourous, but we loved the idea of a conservatory. Luxury! I even liked the red brick walls which it was built against - the original exterior of the house - and the light brown varnished wooden floor.

So, we outfitted it with all the necessities that make a conservatory the space it's meant to be. Garden chairs for lounging in, a small table for your drink and various plants. It looked good. Then I decided I could incorporate the art studio I'd always wanted. We'd acquired the appropriate furnishings, including table, chest of drawers and shelving, and, me being an inveterate collector of antique curios, eclectic souvenirs and oddities of a theatrical nature, I decorated the space with much of that, plus the wild west artefacts I'd acquired over the years.

So it became a fun space to create in, maybe except for perhaps fighting with a hanging plastic luminous Halloween skeleton to get to my table. At least, fun was the idea, and our son, who is himself a fan of the kind of surroundings I'd created, thought it fab!

The old Art Space!
But depression (I was on antidepressants which really helped most of the time) got in the way of my enjoyment of the space. I never felt truly happy there and I felt disappointed about that. I'd read about artists working in their studios and loving it and being inspired by their space, and I was tremendously jealous of them. Plus the fact that they'd work there all day long. I couldn't do that - it would drive me crazy! I need variety of space and variety of activities. Hence my inability to become a professional, full time artist. As a result of this, I suppose, I was always too shy/embarrassed to call my space an art studio and Husband always took me to task over that.

Unfortunately, because of thirty years of depression and my lack of domestic leanings, the house had become neglected, and my studio space even more so. Plus there was the problem of where to store all my creativity materials. All manner of 'stuff' was shoved wherever I could shove it.

Then, five years ago over the Christmas period, I had a medication crisis on Prozac and I became suicidal. The short version of this story is that, through sheer luck and wonderful neighbours, we were introduced to the brilliant mental health team who literally cured me with a new prescription of antidepressants and Cognitive Behavioural Therapy. Over a period of three years and onwards, and making a major decision that would finally eradicate the depression, I became better than I'd ever been. A strange, novel, amazing feeling. Particularly waking up feeling good, and that becoming a consistent occurrence!

So we've been able to get to grips with areas of life that badly needed sorting, and do the things that we'd been unable to do because of my depression and Husband's work. One of those things was to redecorate the entire house. First the utility room (now looking fabulous!). Next, we knocked our bathroom and toilet into one. It's gorgeous now. Then - something we'd promised ourselves eventually - a brand new conservatory. Old one demolished, new one built.

That happened last summer, and the result is fantabulous! The slowly rotting brown wood frame is kaput - gone. The corrugated transparent sloping roof, covered in pretty green moss so that no light could get in, has gone. All replaced by a beautifully light, bright, expansive space. I'd painted those red brick exterior walls bright white. The floor is now covered in warm, light brown textured tiles. The conservatory frame is white plastic, so no fear of it rotting and having to creosote it annually to prevent that. The roof is apex shaped against the house wall, giving us this amazing glass extension. We have new furniture to suit it. It's gorgeous. We were able to do all this because we'd been unable to do much before because of my depression and husband's work, and we're very good at saving money! I also came into an inheritance which meant we could afford to do it.

Most of the items that had populated the old conservatory came back in, but some of the older, shabbier pieces were consigned to charity or the local tip for recycling. My old wooden desk, for example, rescued from dad-in-law's old office, had seen better days. We replaced that with a beautiful sizable glass and wrought iron table and accompanying shelving which we'd found in the charity shop, and which now houses my various collections and theatrical oddities. I still have to find places for other bits and pieces that husband would preferably like me to chuck!

But, most important of all is that I'm using the glass table as a creative area, and I'm becoming happier working there. In fact, I'm beginning to enjoy it! I've never felt that way before. I'm working on making it a slightly less chaotic area, but I have my doubts about that. Organised chaos would be a good state to strive for. On the table I have a basket of acrylics and gouache paints, pots for pastels, coloured pencils and pens, charcoal, and more weird and wonderful oddments sitting among them. My art portfolios lie under the table, as do various sized sketchbooks. In the utility room behind me are more baskets containing collage, sculpture and 3D materials.

When I'm sitting there I can look out onto our garden and see how that's coming along. It's a rather wild space, as expected, but we're slowly whipping it into submission. During the winter I use a heater in the conservatory and gaze through the glass up at the sky. As studio space, it is ideal. I have a ton of light and an excellent source of water, and a cleaning area in the utility room or the kitchen, off the conservatory. The kind of creative space that many an artist would kill for!

I'm so lucky. All I've got to do now is actually use it, and enjoy it, and I'm certainly working on that!

About Jo B Creative

Jo B Creative.
Hi, I'm a quirky creative, mental health advocate, traveller, wild west & ghost nut intrigued by science, a renaissance soul with a potty sense of humour.

Five years ago I began a miraculous journey to full recovery from 30 years of depression. The catalyst was a medication crisis.

A brilliant mental health team prescribed a medication, California Rocket Fuel (love it!) & Cognitive Behavioural Therapy.

Now I'm better than I've ever been & I'm rebuilding my eclectic, adventurous creativity & life.  I'm sharing my experiences to give other sufferers of depression hope.

Comments

Buy Gifts and Apparel featuring art by TET.

Popular posts from this blog

James Gunn's Social Media Monkeys Joke Was a Highlight of His Superman Movie For Me

B efore James Gunn's Superman Movie was released there was a whole rumor going around that the movie would feature monkeys on computers trolling Superman's social media, sparking much outrage. #supersh*t. I didn't know this was even a thing until just prior to writing this article. I did a search to see if anyone had posted a clip of the monkeys scene from the movie and got pages of discourse featuring videos and articles prior to the film. Most of it from Gunn detractors (let's say) seeing it as some kind of childish swipe at them... well not them specifically but, you know, those other people who have every right to hate on anything sight unseen. Anyway, I'm not going to give even one such example a link or air because it's kind of sad watching someone devote so much commentary to a throw away gag that is absolutely a nod to James Gunn's Superman trolls.  The whole reason this post exists, is to say I loved the joke, because fourteen years ago, and I...

How to Transfer Any Line Art to Your Griptape - Easy Skateboard Griptape Art Tutorial

Dog Star Griptape Art by TET Griptape art is once again gaining popularity amongst modern skateboarders. For those of us who have tried to create our own griptape art, using paint pens, you'll know reproducing your design onto the grip, without making any mistakes is incredibly challenging. Mostly because you just have to go for it and draw the design freehand, with paint pens, directly onto the griptape. You can make the odd mistake here or there but if you get the proportions of the design completely wrong, it can be very difficult to fix. Often you just have to live with the mistake. To address the problem I've come up with an easy way anyone can transfer a line art design to their griptape, removing almost all the anxiety of getting the proportions wrong. In fact, you could do this with any line art design, even if you have no drawing skill at all. Watch the video below to see my technique in action and/or skip past the video where I highlight the basic steps to get your de...

I'm Joining the Illuminati Brotherhood By Personal Invitation of Hiltom Rothschild... Wait, What?

How special am I to have finally come of age (53 years young) and am now eligible to participate in building the world alongside other members of the Illuminati Brotherhood... Yes I've received the call by way of an email, which I'm sure is real because I had to translate it from the Dutch language and it was personally written by Hiltom Rothschild, one of the non-existent members of the Rothschild family (or perhaps deep undercover because Google has never heard of them?). A Transcript of the email below: To: etourist From: Illuminati Brotherhood  Subject: Illuminati Broederschap (Illuminati Brotherhood) I am Hiltom Rothschild, a member of the Rothschild family, one of the 13 families of the Illuminati brotherhood. I'm here to let you know that you've come of age and are eligible to participate in building the 🌎 world. It is a calling and a privilege to honor him with pride and gratitude as not everyone will ever be chosen by the LIGHT, many are called but few are ch...

Commodore Computers Are On Their Way Back With a New CEO and Many of the Original Team Founders

Commodore 64 Ultimate: Starlight Edition. An updated C64 for today. C hances are, if you grew up in the 1970s and 80's, the first computer your family owned was a Commodore 64 (or possibly the Vic-20, also by Commodore, that preceded it). I taught myself to code in BASIC on our Commodore 64 (C64), making ASCII based games (i.e. graphics made from the letters and symbols assigned to the various keyboard keys). I coded a Tic Tac Toe two player game, a simple shooting gallery game, and a flash card game to help me learn the Periodic Table, which (much to my... I want to say horror... got me bumped up to an advanced science class in high school). Later I'd go on to dabbling in true 8 bit, and 16 and 32 bit, graphical games, when we upgraded to the C128, Amiga 500, then Amiga 600, but I never actually finished anything because, by then I'd gotten into skateboarding, so I was trying to make my ultimate skateboard game - ambitious much? It was Commodore machines that showed me mak...

Is AI Art 'Art'? The Say NO to AI Art Movement, and Why Human Artists Will Adapt

AI Art No T-Shirt by TET Also available on other items . Right now there is a big debate over not just whether AI art is 'art' but whether AI's are actually ripping off the work of actual human artists, without their consent, to create their images - particularly images 'in the style of' specific artists. From my own observations this debate started to get more traction when artist's signatures began appearing in the output of AI Art  image generators. Is It Art? Cool Froyd the Cat Sketch by TET. My style is very much influenced by classic Disney and WB character styles. To get some clarity on how real human artists work (of which I am one)... we, that is all of us... take influences from the art that has come before. i.e. whatever artists we like, have studied, seen etc. we are influenced by. It shows up in our work, intentionally or not. If you really study my own cartoony art style you'll see I'm heavily influenced by early Disney and Warner Bros cart...

Movie Review: A Complete Unknown (2024) *No Spoilers*

Y ou would think the Bob Dylan story would be 'wind-swept and interesting,' to quote Billy Connelly, however, despite  A Complete Unknown  being quite an engaging film, it feels like it missed the years that really shaped him as a song writer/performer. The film starts in 1961, with a then unknown, 19-year-old Bob Dylan (Timothée Chalamet) arriving in New York City with his guitar.  From there he forges relationships with musical icons on his meteoric rise, culminating in a groundbreaking performance that reverberates around the world. The problem being, according to this film, Dylan arrived in New York, for the most part, fully formed as a folk singer/song writer. In virtually no time he makes a very important connection that puts him on the trajectory of doing the work and becoming a name, before making his world changing performance. While there is some drama behind the scenes with his various relationships, none of it is particularly unique to any number of up and com...

Movie Review: Superman (2025) *No Spoilers*

T he one thing I like about James Gunn as a comic book movie director is that he leans into the comic book nature of the world and the characters.  He's not trying to do a realistic take on any of the characters. He's simply bringing the comics to life. It's still his take on the characters, but he doesn't shy away from their comic book origins. James Gunn's  Superman  is very much a comic book movie in every sense. Nothing is off the table because it's too 'comic-booky' and might look silly in a live action film.  To me that's incredibly liberating. It lets James actually tell a proper Superman story that isn't hamstrung by reality, or tip toeing into the fantastical just enough to allow Superman to exist in the real world. Superman begins in the middle of a battle. Metropolis is under attack by a super powered being known as 'Hammer of Boravia', however everything is not as it seems, and Superman (David Corenswet) must work with other s...