Skip to main content

Port Broughton, Moonta Mining and a Cornish Festival

May 15 & 16 2009

After traveling everywhere with Rose for the last five weeks, my partner, Enigma, and I decided we were well overdue for some 'us' time. Enigma heard that there was a Cornish Festival happening in the town of Moonta, South Australia so she booked some accommodation over the coming weekend for us in the, kind of, near by town of Port Broughton (closer, affordable accommodation was booked out due to the festival).

We didn't see a lot of Port Broughton as our specific purpose was to see the Cornish festival. In fact we didn't arrive in town until after dark on the Friday. However we did enjoy some fish and chips for tea at a local cafe and, on the Saturday evening, we snapped a few pictures of the Port Broughton historic jetty and surrounding beach front at sunset (see photo above).

According to one passer by the sunset we snapped was nothing compared to some he had seen there. I can only imagine as the sun seems to set almost in line with the end of the jetty. Given the right cloud conditions you could get some stunning pictures on a 'great' sunset day.

The Cornish Festival we were going to see is billed as The World's Largest Cornish Festival according to our souvenir guide. Its actual title is the Kenewek Lowender and is a Festival that lasts a full week and has events which span across three South Australian towns, Moonta, Kadina and Wallaroo. Enigma and I were here to catch the second last day of the event which was focussed on the town of Moonta.

We knew there was going to be a parade through the streets of Moonta but weren't sure if we could get there in time to see it since the drive from Port Broughton was about 30 minutes. However we managed to get going early and arrived in town just in time to find a vantage point for the start of the parade.

The weather up to this point had been dodgy to say the least, with stretches of blue sky followed by a passing, shower delivering cloud. I was surprised that the town was seemingly packed with visitors despite this and, incredibly, the rain held off long enough for the entire parade to pass us by.

Not that it was a long parade but it did have a good variety of brass bands, Cornish costumes, vintage cars (a monster truck?) and floats relating to Moonta's mining history and the Flintstones (what the?).

The selection of photos shown here are just a sample of the many Enigma and I took (thanks to Enigma for the Flintstones float photo which I didn't manage to get a good photo of). Be sure to click on them to see larger versions of each image.

After the parade Enigma and I did what probably most people who are hungry do at a Cornish festival - headed off to purchase a Cornish Pasty. Enigma had heard that the Cornish Kitchen Cafe on Ellen street made the best Cornish Pasties so we went straight there. Apparently word had got out because the cafe had set up a table on the shops front footpath to meet up with the demand. We joined the queue and it wasn't long before we were sitting on the footpath a little further up from the cafe enjoying our pasties.

As with all town festivals they're always a good time to put on an art exhibition and Moonta had no shortage of them. Enigma and I were amazed by an exhibition of photography by local artist William Godward whose images of the mines in the region are like none we'd ever seen.

A festival isn't a festival without a fair and Saturday was Moonta's turn. We made our way to the show grounds and paid a ridiculous entry fee to see a bunch of food wagons, food tents and amusement rides with a few Cornish themed stalls and entertainment thrown in to match the festivals theme.

If I hadn't been to so many town fairs over the course of the Barossa Festival I would've said this was a pretty good fair but it could've been a fair anywhere with a few Cornish events rather than a Cornish Fair. I know these things are not easy to organise but if you are someone who organises a town fair please make sure the food stalls/tents and amusement rides don't dominate and overshadow the whole reason for the fair in the first place.

Considering the entry cost for each adult person there just wasn't enough for the adults to do to justify it. The couple in the photo above probably had the right idea by setting up their fold up chairs next to the entertainment arena to watch some Irish dancing (or was that Cornish Dancing? It looked more Irish to me?). I didn't notice too much happening of interest in that arena after the dancing though?

By about this time Enigma and I were all festivaled out having seen the main attractions for the day. Country towns being country towns we of course bumped into someone we knew who lived no where in the immediate region. Enigma's Sister and her family had driven over from the town of Burra for the day and quite by chance we crossed paths.

I reckon Enigma's had a baby homing device secretly installed to seek out her sister's newly born daughter, whom she has to hold every time the two get together. (This isn't the first time we've 'accidentally' crossed paths with her sister since her daughter was born - it's not like we live next door either - Burra is over an hours drive away from where we live).

From then on we kept crossing paths as we managed to choose almost the same things to do with the rest of our day. Enigma and I went back to the Cornish Kitchen for a drinks break before heading over to the town's Visitor Information Centre at the Historic Railway Station.

There we learned about the Mining History Museum housed at the old school around the corner and down the road a bit. So we decided to head over there where we crossed paths again with Enigma's sister and family, browsing the museum whilst they waited for the Museum's train tour to get back in for the next trip.

The Museum its self has a wealth of information about not just the mining history but the history of life in general when mining was starting to take off in the region. Everything from school history to men's clubs (such as the Freemasons) is covered.

I found this museum even more interesting as it features many cartoons by a local Cornish newspaper cartoonist of the day (who's name escapes me) highlighting many humorous moments of the time in that sort of stiff wordy style of the old time gag cartoons. Though the cartoon drawings were far from 'stiff'.

One thing that did stick in my mind was that the original discovery of copper in the region was made by chance when copper deposits were dug up by a wombat. Apparently on the surface in this region there were no obvious signs that the area was rich in copper.

Enigma and I finished off our day with a visit to the Moonta Mine Sweet Shop just across the road from the Museum. This is quite possibly one of the smallest sweet shops I've ever been in (housed in the former post office) but still worth a look if you like traditional style candy.

Then we waited around for the tourist train to return for a photo opportunity (of the train) and one last chance to path cross with Enigma's Sister. Whilst we were waiting at the train station we wandered around the grounds looking at the old machinery on display. I wandered into the Black Smith's display and discovered another 'Upsetting Machine' just like the one in Angaston (see photo below).

There is actually quite a lot to see and do in Moonta if you have the money to pay all the admission fees. One unique experience is the chance to tour a modern day copper mine that was worked during the 1980s. Known as the Wheal Hughes Copper Mine you can book tours at Moonta's Visitor information centre. Enigma and I didn't do the tour but I thought it worth mentioning as seeing a copper mine isn't something you can do just anywhere.

That was pretty much our day in Moonta. As I mentioned at the start Enigma and I headed back to Port Broughton where we enjoyed a Sunset and turned in for the night.

Comments

  1. I thought that beach shelter was on Whyalla beach at first - it just reminded me of it. It all looked quite interesting, as these things are when you visit them.

    I looked at all the photos enlarged, and saved the train one. Is that a steam train? Hope those pasties had meat in them, as the UK ones do, supposed to be corned beef for the real thing.

    ReplyDelete
  2. Shelters like that one no longer exist on Whyalla's beach anymore (all but one with a flat roof is gone).

    I don't think the train is a true steam train. It's just made to look like one.

    The pasties did have meat in them. I assume they were made the traditional 'Cornish' way since they're supposed to be authentic.

    ReplyDelete

Post a Comment

Comments are moderated by an actual human (me, TET) and may not publish right away. I do read all comments and only reject those not directly related to the post or are spam/scams (I'm looking at you Illuminati recruiters... I mean scammers. Stop commenting on my Illuminati post!).

Buy Whimsical Cat Art Prints by TET (Redbubble Store)

Enjoy Your Favorite TET Art Up Close, Interactive, and so Relaxing!

Enjoy Your Favorite TET Art Up Close, Interactive, and so Relaxing!
Relax and Challenge Yourself with a Fun, Whimsical Cat Art Jigsaw - 30-1000 pieces. Click Image for More.

Popular posts from this blog

Software Stylus for Tablet Drawing

 I own an Android Tablet that has available to it many great drawing applications.  The trouble is, drawing on a touchscreen with  your finger is like trying to sketch with jumbo crayons.  As is trying to draw with most stylus pens which are only a marginal improvement over using your finger.  Precision drawing on your average touchscreen seems like wishful thinking.  However I've had this idea for a software stylus that acts like an extension of your finger and allows drawing with greater precision.  See my rough diagram below.  Essentially it's a pointer that follows your finger around the screen. Its angle can be adjusted so that from your vantage point it looks like the tip of  your finger is coming to a point. Softnib concept sketch.  You simply move the pointer around and the line is drawn from the point of the stylus instead of somewhere under your finger, where you can't see it.  Obviously I haven't worked out a...

Occupy Wall Street - Movement for Change of... Something?

I've been kind of following the Occupy Wall Street 'movement' from my position of apathetic denial of what's actually happening in the real world - that you can see if you pull back the curtain or disconnect from the Matrix. In particular I've watched vlogs of the Melbourne, Australia, Occupy Movement through the eyes and camera of You-tuber Sean Beadlam . Sean is quite a hard hitting comedian whose humor is topical, political and often based on the injustices faced by the oppressed. He also focuses on the media and how they'll beat up a story to get their 'angle' rather than provide balanced reporting of the whole story. Although not one of his comedy routines this video below from Occupy Melbourne is a good example of Sean's work with several juxtaposes of the Occupy movement with media and Sean's use of technology. Although Sean isn't the only source of my information, you would think that a guy like him would have...

Who Even Reads This?

W riting this blog is largely both a labor of love and a discipline. Since about 2006 (the blog started in 2004) I have written a minimum of two posts per month. Sometimes I've posted more, particularly in the last 4-5 years, where I've tried to write and post at least one article a week without fail. Unfortunately it's not a niche blog, unless the niche is things that interest me. Which means my blog is either too broad to have regular readers or too niche to have anyone other than my mum reading it. Which she does (hi Mum) as we established back in January of 2014 in the post Ya Mum Reads it... That said, this blog overall regularly gets 6-7k views every month, mostly through people finding various articles through search engines. By far the largest traffic source is 'Other' which is basically unknown sources. I'm willing to bet a large percentage of that is the dead internet. Bots testing my comments to see if they're spamable or Illuminati spammers. Whil...

Pt5. Three Cat Tails Painting by TET

Finished: Three Cat Tails Acrylic on Canvas panels. Day five of my video diary (embeded below) following the creation of my latest series of paintings, Three Cat Tails. View Part one , Part two ,  Part 3  and Part 4 if you haven't seen them yet. In the final episode of this series I get to paint the black and white layers that I thought I'd be painting on day 4 but delayed in exchange for adding more purple and green shadow. The black and white layers take the artworks through to completion. Then I finish each panel off with a dark blue border around the edge (to cover up the paint marks on the sides). Whilst I do continue to talk about what I'm doing as I paint this episode does contain a few quite moments of just me painting away because there isn't really a lot to say about the white and black layer. However I hope you'll stick with it to the end just the same. The series of artworks are available to buy so if you're interested contact m...

Pt3. Three Cat Tails Painting by TET

WIP: Three Cat Tails Darker shading and cream fur added. Day three of my video diary (embeded below) following the creation of my latest series of paintings, Three Cat Tails. View Part one and Part two if you haven't seen them yet. In this video I mix a dark brown colour to add some shadow and stripes to my cats. You'll see how the brown tones the orange down quite a bit to make the colouring of the cats a little more believable. I also mix a light cream colour to fill in the transitions between the orange and white area of the cats fur. You'll see in a later episode more clearly what I mean once I add the white back in. Note how, when I add the cream, it initially goes on too thick and I have to wipe it back with a cloth and water it down to make it more translucent. The perils of mixing colours with white paint! Finally I finish up by adding in a few small details like paw pads and noses. It doesn't actually seem like I did that much today. O...

Pt4. Three Cat Tails Painting by TET

WIP: Three Cat Tails Darker purple and green shading added. Day four of my video diary (embeded below) following the creation of my latest series of paintings, Three Cat Tails. View Part one ,  Part two  and Part 3 if you haven't seen them yet. Yesterday I said that I would begin on adding my black and white final layers today. However after looking at the paintings a few times over night I decided the cats could really use more shadow to give them just a little more three dimensional form. I had a strong feeling that adding purple and green shadows was what the images really needed. Especially the two larger images needed the purple shading on the background behind the cats to connect them with it - since those two particular images actually make more sense if you get the feeling that you're looking at the cats, laying on a blue floor, from above. At this point I pretty certain I'm ready for my final black and white detail layers - which I'll get onto...

Pt2. Three Cat Tails Painting by TET

WIP: Three Cat Tails background and base colours. Day two and part two of my video diary (embeded below) following the creation of my latest series of paintings, Three Cat Tails. View Part one if you haven't seen it yet. After painting my initial base painting using the three primary colours, in this episode I demonstrate blocking in my backgrounds and the base colour for the three cats. This episode is a little longer than the last but hopefully is still interesting to watch. All the painting you see is in real time but obviously edited down quite a lot to show the 'highlights' and I explain what I'm doing as I go. I realize these videos aren't as exciting to watch as the more common 'speed painting' style videos but if your the kind of person that likes to watch over the shoulder of a real live artist at work then these might just be up your alley. Continue to Part 3 .